By: Robert McQueen
When Britta Johnson contacted me in December of 2015 to say that she had been awarded the Toronto Fringe Festival’s Paul O’Sullivan Award for her new musical Life After I was, of course, thrilled for her. I had first heard Britta’s theatre composition a year earlier when she participated in our annual Noteworthy session, and immediately I had became an ardent admirer of her work; so, when shortly after our first conversation, she rang me again and asked if I would direct the Fringe production, I was thrilled. More