Month: July 2012

Acting Up Stage Picks


Playing at the Shaw Festival, this powerful musical portrait paints a sweeping saga of turn-of-the-century America, seen through the eyes of three very different families. Headlining the show is Caroline, or Change star Alana Hibbert who played Dotty.

Until October 14th – Festival Theatre, Shaw Festival – or 1-800-511-SHAW

42nd Street42nd Street

This Stratford Festival hit stars veteran Cynthia Dale and tells the story of a Broadway producer and his efforts in mounting a glitzy musical during the height of the Great Depression. You’ll be wowed by the non-stop tap dancing!

Until October 28th – Festival Theatre, Stratford Shakespeare Festival – or 1-800-567-1600 

The Pirates of PenzanceThe Pirates of Penzance

Another Stratford musical that has received nothing but rave reviews! An apprentice to a notoriously soft-hearted band of pirates falls in love, however his keen sense of duty keeps their love apart. How will this comic love story end?

Until October 27 – Avon Theatre, Stratford Shakespeare Festival – or 1-800-567-1600

Systematically Writing New Musicals – Reflections on where we have come with our Noteworthy Program

The Canadian Musical Theatre community is an interesting one when it comes to the development and production of new musical theatre. We are a community that tends to lack an ability to take real risk. Musical theatre in Toronto appears in the Fringe Festival & Summerworks, and occasionally on the stages of various musical theatre programs (because students are free and willing to work on new pieces). New musical works rarely get the chance to develop over a long period of time, yet this is often what they require in order to have the longevity of any of the classic musicals in which we have become so familiar. More

NYC Presents: The Canadian Musical

It didn’t all begin with Livent, but it might as well have. In the mid 90’s, Garth Drabinsky produced several large scale musicals which would pave the road towards Broadway success. Kiss of the Spider Woman, Ragtime, the Show Boat Revival, Fosse, and Parade all began their runs in Toronto and eventually made their way to Broadway, earning a combined 6 Tony nominations and 3 Tony awards for the Canadian based company. However, fate had its way, Drabinsky was indicted for fraud, and the Canadian Megamusical on Broadway started to fade into memory. More

Two More Join the Acting Up Stage Family!

After a critically acclaimed, show-stopping year for Acting Up Stage, we are pleased to announce two new additions to our family!

Paul Beauchamp has just begun full time work with us as the Assistant General Manager. Paul will oversee the day-to-day operations of the company.

Nathaniel Bryan will also join us this coming August as our Audience Engagement Manager. This three year position, brought to Acting Up Stage through a generous grant by the Trillium Foundation, will see Nathaniel heading up new ways to engage our audiences through various mediums.

Welcome to Paul and Nathaniel!

“Joy!”: The Dora Awards Shine Bright for Acting Up Stage

Mitchell Marcus (Artistic Producer, Acting Up Stage), Elenna Mosoff (Associate Producer, Acting Up Stage), Philip Akin (Artistic Director, Obsidian Theatre)
Caroline, or Change wins big at the Dora Awards. From left to right: Mitchell Marcus (Artistic Producer, Acting Up Stage), Elenna Mosoff (Associate Producer, Acting Up Stage), Philip Akin (Artistic Director, Obsidian Theatre)

The Dora Awards. A night of glitz, glamour, and much hype. The St. Lawrence Centre was all decked out, Front Street was partially closed for the after party, and much of the Toronto theatre community came out dressed to the nines.

This year, “Toronto’s version of the Tony’s”, as some have described it, celebrated its 33rd anniversary. The night was full of shenanigans, seeing the host of the night (Acting Up Stage veteran Thom Allison, fresh off a recent Broadway run in Priscilla Queen of the Desert) poke fun at the Toronto entertainment scene. There was much song and dance, and even a video segment of the evening chronicling the sometimes outrageous utterances of Toronto performers entitled “Sh*t Theatre People Say”. 

All of these interludes are of course not only meant to celebrate and show off our wonderful and diverse entertainment scene, but also to add anticipation and excitement for the evening’s main event: the announcement of the Dora recipients. As Acting Up Stage was nominated for 11 Doras (10 for Caroline, or Change and 1 for Ride the Cyclone), the excitement was definitely at a boiling point in our cheering section! In the end, we came away with 5 wins out of a possible 7 (as some of our nominations were in the same category) including Outstanding Musical Production for Caroline, or Change.

Arlene Duncan, who won a Dora for playing Caroline Thibodeaux in Caroline, or Change, and Reza Jacobs, who received a Dora for Outstanding Musical Direction, also for Caroline, sat down with us to describe their experience.

Is this your first Dora nomination? Your first win? 

Reza: Yes, on both counts [but] I’ve been [to the Doras] once before, the year [Acting Up Stage’s] A Man of No Importance was nominated.  

Arlene: I’ve been in four Dora award-winning musicals in my career, but this is my first individual nomination and win — so it’s all quite exciting! I’ve been to the Doras three times, [two of the] times we also performed as part of the show.

How does it feel to win a Dora? 

Reza: It’s humbling and affirming at the same time. My overriding feeling that night was gratitude for everyone involved with Caroline, or Change. The entire experience of mounting that show was a gift from the universe. 

Arlene: You know all those people who say ‘It’s just an honor to be nominated”? Well, it really is! I can’t repeat often enough, how much of a joy it was to just be part of such a magnificent piece of theatre. I’ve spent the last while working in film and television, and it has been quite a few years since I’ve been on the stage. To have my work be so well received and acknowledged in this way by my peers is beyond amazing. To be nominated was thrilling…to win was beyond my imagination!

What was the most inspirational speech you heard at the ceremony, or the most inspirational moment?  

Reza: There was a special feeling of communion in the hall when Ravi Jain made us all shout “Joy!”   

Arlene: While most of the show was a complete blur before I won, I do remember being touched by Pauline McGibbon award-winner Ravi Jain’s speech where he spoke of the JOY he experiences collaborating with fellow [theatre] artists.

Did you prepare a speech? Did you stick to your speech? 

Reza: In a sense I’ve been preparing the speech since day one of rehearsal!  We were blessed to have a generous, kind, and imaginative team across the board, so I have felt deep gratitude for every person involved. As time has passed, those reasons have become crystal clear in my mind. So I did not have a printed speech with me at the Doras, but I felt like I’d been practicing the speech for months because I felt so clear on why I was thankful to specific people.  

Arlene: I didn’t sit down and write something on paper, (probably because I thought I’d jinx it), but I did think about who I would want to thank and why, because I wanted to speak from my heart and I pretty well stuck with that!

I need to touch on the infamous ‘cut-off’ music, and how it affects an artist on stage. What did you think of it? Did it cut you off? 

Reza: I didn’t know we were fancy enough to have cut-off music. I loved it. It tried to cut me off, but I kept talking!  

Arlene: They definitely need to have a limit on speaking, as we are actors and some of us would stay on stage and thank everyone and anyone who had any kind of input in [our] careers and the show would go on well beyond the 3 hours it already did! So ‘cut off music’ is our friend. I’m pleased to say that my ‘speech’ was a respectable amount of time and I managed to be well within my designated 90 seconds and fortunately, I wasn’t cut off!

Where will you put the statue? 

Reza: I am considering sending it to my mom. I was grateful and excited to win, but she was kind of adrenalized by the news and went into joy overdrive – though I wouldn’t want it any other way.  

Arlene: My statue has an honored place in the living room on the fireplace mantle. 

In your opinion, why are the Doras important? 

Reza: It’s great to have one night a year where the entire Toronto theatre community is together in one room. I think it has symbolic weight.  

Arlene: The Doras are a much needed and wonderful celebration of the Toronto theatrical community! It gives up and coming artists a standard to aspire to and puts a spotlight on artists, productions and new & established production companies that are making a mark on our theatre scene.

Describe your Dora experience in one word. 

Reza: Dirty. Kidding! My one word is humbling.

Arlene: Gratifying!

Thanks to both Arlene Duncan and Reza Jacobs for their time. Please note that this article has been edited for length and some answers have been shortened.